Abstract:The paper aims to analyze the trend of craftsmanship's transformation into pure art in post WwIl era in the westerm society, reveal theoretical and practical ises of contemporary crafsmen's shiting detification“from techniques to idceas' , refl the modemism's domination and appropriation of crafismanship, and raise the concept of new cafsmanship based on investigation of the reintegration of designing and making which was believed to be enabled by AI design. With theorics of embodied cognition and situated cognition, the characteristics of craft- making, including design in production, coordination and rciprocation of perception and movement were analyzed, and the value of interaction, situation and cooperation manifested by the social aesthetics of craftsmanship were sorted out. The theoretical significance of AI design and craft integration in resolving the mind/body question of creativity pasychology, and pactical implications of embodied technologies for strong AI were explored. The application ofAI in new craftsmanship would initiate the integration of design and making, while the new caftsman as a rescarcher- designer- maker would provide innovative intepretations of traditional craft valucs such as principles of "beautiful material and proficient sills" and “mind-hand correspondence"