《哪吒之魔童降世》动画角色造型设计的评析
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北京航空航天大学,北京 100191

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张引(1986—),男,北京人,北京航空航天大学讲师,主要研究方向为动画设计。

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Comments and Analysis on the Animation Character Modeling Design ofNe Zha
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Beihang University, Beijing 100191, China

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    摘要:

    2019年,国产动画电影《哪吒之魔童降世》一经上映,便广受赞誉,成为近些年来中国动画电影里程碑式的佳作。该片内容方面以中国传统神话故事改编,形式方面颇具中国美学风格。但是,针对动画角色造型中呈现的中国传统文化符号,尚有值得辨析与反思的问题。传统文化符号承载形式与意义双重属性,该片在形式层面,通过传统文化符号表现了角色造型的形式美感。但在意义层面,传统文化符号尚未满足剧情文本需求。即符号意义与故事内容、时代背景和地域特征应形成逻辑自洽的审美系统。

    Abstract:

    The domestic animated film Ne Zha was immediately widely praised and became a landmark masterpicce of Chinese animated film in recent years as soon as it came out in 2019. The film is adapted from Chinese traditional mythology. with Chinese aesthetic style in the form. However, there are still some problems worthy of analysis and reflection on the traditional Chinese cultural symbols in the animation character modeling. Traditional cultural symbols bear the dual tributes of fomm and meaning, and the film shows the formal beauty of character modeling through traditional cultural symbols at the fomm level. However, at the level of meaning, the traditional cultural symbols have not yet met the needs of the plot text, that is, the symbolic meaning and story content, hitorical background and regional features should form a logially self-consistent aesthetic system.

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张引.《哪吒之魔童降世》动画角色造型设计的评析[J].工业 工程 设计,2020,2(4):45-50. 复制

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  • 收稿日期:2020-07-01
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  • 在线发布日期: 2020-08-24
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