服饰视域下的宋杂剧角色身份考证——以“四方宋代铭文杂剧砖雕中的‘杨揔惜’、‘丁都赛’”为例
作者:
作者单位:

1. 西安工程大学 服装与艺术设计学院,西安 710048;2. 北京服装学院,北京 100029

作者简介:

张彬(1990—),男,河北人,西安工程大学服装与艺术设计学院副教授,北京服装学院博士生,主要研究方向为中国

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基金项目:

国家社科基金艺术学重大项目(18ZD20)阶段性成果


Textual Research on Role Identity in Song Zaju from the Perspective of Costume: Cost “Yang Zongxi” and “Ding Dusai” in Brick Carvings of Song Inscriptions as an Example
Author:
Affiliation:

1. School of Costume and Arts Design, Xi’an Polytechnic University, Xi’an 710048, China; 2. Beijing Institute of Fashion Technology, Beijing 100029, China

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    摘要:

    刻有“杨揔惜”、“丁都赛”两人名字的砖雕是郑州市华夏文化艺术博物馆所藏四方宋代杂剧砖雕中的两块,其印证和补充了文献中关于宋杂剧艺人服饰穿戴及角色身份的记载,对宋杂剧艺人服饰研究及角色身份考证具有重要的参考价值。戏曲史研究专家康保成先生认为:“‘杨揔惜’扮演的角色为引戏,‘丁都赛’扮演末泥。”而笔者对康先生所说两人扮演的角色存疑。笔者根据对砖雕中两人的服饰穿戴及所执道具与其他宋代出土杂剧图像及文献的对比分析,采用二重证据法,推断出“杨揔惜”、“丁都赛”扮演的角色身份应分别为末泥与引戏。

    Abstract:

    The brick carvings engraved with the names of “Yang Zongxi” and “Ding Dusai” are two of the brick carvings of Song Zaju collected in Zhengzhou Huaxia Culture and Art Museum, which confirms and supplements the records about the costume and role identity of Song Zaju artists in the literature, and have important reference value for the costume research and role identity verification of Song Zaju artists. According to Kang Baocheng, an expert in the study of the history of traditional Chinese opera, “the role played by Yang Zongxi is to lead the play, and the role played by Ding Dusai is to play the last part.” There are some doubts about Mr. Kang’s interpretation on the two roles. Based on the comparative analysis of the costumes and props of the two roles in the brick carving and other images and documents of Song Zaju unearthed, the double evidence method is used to infer that the roles played by “Yang Zongxi” and “Ding Dusai” can be respectively called the end play and the leading drama.

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张彬.服饰视域下的宋杂剧角色身份考证——以“四方宋代铭文杂剧砖雕中的‘杨揔惜’、‘丁都赛’”为例[J].工业 工程 设计,2020,2(6):51-56. 复制

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  • 收稿日期:2020-09-23
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  • 在线发布日期: 2020-12-13
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