古蜀神鸟图腾视觉元素在视觉传达设计中的再设计
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云南大学,昆明 650000

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教育部哲学社会科学研究后期资助项目(19JHQ081)


Application of the Totem Visual Elements of Ancient Shu Divine Bird in Visual Communication Design
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Yunnan University, Kunming 650000, China

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    摘要:

    在中华历史文明的进程中,每个部落都有属于自己的图腾,这些图腾代表了部落人民与氏族先祖之间的血缘关系,也是一种超越时空的精神纽带,图腾的形象可能是动物,也可能是植物,但都是一种神灵化的形象。本文聚焦中国传统鸟纹形象中的古蜀神鸟图腾形象,梳理其起源及发展脉络,窥探其形象背后的文化底蕴,厘清其在中国鸟形崇拜文化中的历史地位及其对于现代视觉传达设计创新的作用。文中以营盘山彩陶,三星堆青铜神树、青铜大鸟头和金沙太阳神鸟金箔,汉代砖画为研究起点,结合古籍、文献、图解和实物证据,对古蜀神鸟图腾的起源、主要功能、文化内涵等进行研究分析,在此基础上归纳古蜀神鸟图腾的造型特点和表现手法,并根据视觉元素的内涵寓意来进行造型元素分类整合。通过案例分析对比传统鸟形纹及古蜀神鸟纹在现代视觉传达计中的应用现状,总结其应用规律并对古蜀神鸟图腾形象进行解构再创作的设计创作实践。对古蜀神鸟图腾视觉元素进行分析,同时对神鸟崇拜文化进行对比研究,这对于探索中华文明起源、古蜀地域与中原文化的融合、古蜀地部落之间文化的融合发展有着重要意义。在进行现代视觉传达设计实践时将这些元素根据主题思想进行解构重组,赋予现代设计作品民族文化的血液,可使其成为能承载区域文化传播、历史文化传承的优秀设计作品。

    Abstract:

    In the process of Chinese history and civilization, every tribe has its own totem, which represents the blood relationship between tribal people and clan ancestors, as well as a spiritual bond transcending time and space. The image of totem may be animal or plant, but always a kind of deified image. Thework aims to focus onthe ancient Shu divine bird totem image in the Chinese traditional image of bird patterns, to cardits origin and development, explore the culture behind its image andclarify its historical position in the bird-like worship culture in China and its role in modern visual communication design innovation.With painted pottery of Yingpan Mountain, bronze sacred tree of Sanxingdui, bronze big bird head, gold leaf of Jinsha sun sacred bird and brick painting of the Han Dynasty as the starting point of study, the origin, main function and cultural connotation of the ancient Shu divine bird totem arestudiedand analyzed according to the ancient books, documents, conographies andphysical evidence. On this basis, the modelling characteristics and technique of expressionof the ancient Shu divine bird totem are summarized, and the modeling elements are classified and integrated according to the moral connotation of visual elements. Through case analysis,the application of bird-like patternsand traditional ancient Shu divine bird patternsin the modern visual communication are compared, and the application lawsofthe ancient Shu divine bird totem image are concluded to deconstruct the creative design of writing practice. The analysis onthe visual elements of ancient Shu divine bird and the comparative study of the worship culture of the sacred bird are of great significance in the exploration of the origin of Chinese civilization, the fusion of the ancient Shu region and the central Plains culture, and the fusion and development of the culture among the tribes of ancient Shu.In the practice of modern visual communication design, these elements are deconstructed and reorganized according to the theme, giving modern design works the blood of national culture,and become an excellent design work that can carry regional cultural transmission and inherit historical culture.

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李琳梅,何力,盛春宇.古蜀神鸟图腾视觉元素在视觉传达设计中的再设计[J].工业 工程 设计,2020,2(6):80-90. 复制

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  • 收稿日期:2020-09-30
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  • 在线发布日期: 2020-12-13
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