设计学学科属性应该回归设计真相
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苏州大学 艺术学院,苏州 215123

作者简介:

李超德(1961—),男,苏州大学艺术学院教授、博士生导师,主要从事设计艺术理论与实践研究。

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国家哲学社会科学(艺术学)重大项目阶段性成果(19ZD23)


Design Subject Characteristics Should Return to the Truth of Design
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Affiliation:

School of Art of Soochow University, Suzhou 215123, China

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    摘要:

    文章围绕艺术门类新学科目录征求意见稿,指出作为交叉学科的设计学,将原来的设计学一斩三段,分属为理论、实践、交叉三个学科,分离了原本处于一体的设计理论、设计实践和技术交叉问题,障蔽了设计学研究的真相。文章论述了新的交叉学科设计学强行分离理论、实践、技术因素,过于强调工业设计中技术前沿对设计技术的影响和交叉融合,不利于设计学研究的整体认知,也肢解了设计学的学科属性。文章阐述了新的学科目录是对广泛设计门类研究的漠视,必然会出现设计学研究的泛技术化,助长对于设计学外延的过度解读,使得设计学迷失了设计专业的真相。进而,文章提出了设计学学科属性如何回归设计真相的路径思考。

    Abstract:

    By focusing on the draft for public comments of the new subject catalogue of the art, the article points out that design as an interdisciplinary discipline has divided the original design into three parts, belonging to three disciplines: theory, practice and interdisciplinary, which separates the intersection of original design theory, design practice and technology, and obscures the truth of design research. The article discusses that the theory, practice and technical factors were forcedly separated by the new interdisciplinary design, and overemphasizes the influence and cross-integration of the technological frontier in industrial design on design technology, which is not conducive to the overall cognition of design research, and also dismembers the subject characteristics of the design science. The article expounds that the new subject catalogue is a disregard for the research of a wide range of design categories, which will inevitably lead to the pan-technicalization of design research, which will promote the excessive interpretation of the outer edge of design, and make design lose the truth of the design profession. Furthermore, the article proposes a path thinking on how to return to the truth of design by the discipline attributes of design.

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李超德.设计学学科属性应该回归设计真相[J].工业 工程 设计,2022,4(1):1-6, 18. 复制

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  • 收稿日期:2022-01-08
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  • 在线发布日期: 2022-02-24
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