20世纪早期躺椅的设计演变及历史编纂学分析
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皇家艺术学院,伦敦 SW7 2EU,英国

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张舒也(1994—),女,博士生,主要研究方向为设计史理论、手工艺研究、性别与族群、女性消费文化与博物馆学。

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Design Change and Historiographical Analysis of the Reclining Chairs in the Early Twentieth Century
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Royal College of Art, London SW7 2EU, UK

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    摘要:

    探讨20世纪初期在英国、欧洲大陆和美国发生的从理疗躺椅到现代躺椅的设计演变,并分析不同历史时期史学家们对相关概念的认识转变。通过历史编纂学的研究方法从3个角度进行梳理和论证。首先从文化维度分析人们对斜躺姿势和“舒适”概念的认识转变,其次从生理科学维度看人体工程学角度下椅子与人体的关系,最后从社会维度针对现代躺椅作为现代主义标签这一现象在物质文化研究方法论层面进行反思。从文化史、科技史角度将各时期史学家对斜躺姿势、“舒适”概念与人椅关系的观点发展进行系统梳理,有助于避开传统的现代设计史研究视角,对躺椅的设计演变进行更为多元的探讨和理解。

    Abstract:

    This essay aims to apply the research method of historiography to explore the design change from the massage chair to the chaise longue that occurred in Britain, on the Continent and in the United States in the early twentieth century, and to analyze the change in the arguments of historians from different historical periods in related concepts. The writer outlines this design evolution, and then applies the method of historiography to disclose the change from three aspects. First, the changes in people's cognition of reclining posture and the concept of "comfort" from the cultural dimension are analyzed. Then, the relationship between the body and the chair is explored from the latitude of physiological science from an ergonomic aspect. Finally, a reflection on the phenomenon of the chaise longue as a modernist label is made from the social latitude at the methodological level of material culture research. From the perspective of cultural history and the history of science and technology, the development of historians' views on reclining posture, the concept of "comfort" and the relationship between human and chair in various periods are systematically sorted out, which is conducive to avoding the traditional perspective of research on modern design history research and undertake a more diversified exploration and understanding of the evolution of recliner design.

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张舒也.20世纪早期躺椅的设计演变及历史编纂学分析[J].工业 工程 设计,2022,4(3):82-89. 复制

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  • 收稿日期:2022-03-10
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  • 在线发布日期: 2022-08-29
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