In this paper, Yan Longyi's graduation creation Yard, Field, Tree and Swimming series prints are taken as the theme of the dialogue. The two sides of the dialogue use a phenomenological attitude to restore the work and interpretation to the feeling itself. In the description of feeling, the secret of artistic creation is displayed, and eyes and hearts, words and things are truly unified. In this group of prints, the creators break the boundaries of techniques and approach the accurate feeling with strange visual logic. In the interpretation of the work, the same feeling is pursued with words, so that the visual language and the written language are parallel to and support each other, and the shape of feeling can be born. Such creation and writing are actually carried out at the phenomenological level, that is, suspending ideas and leaving a place for feelings. Due to the feeling of trust and indulgence, every challenge in creation and interpretation is the discovery and confirmation of feelings. The misery is joy at the same time. This dialogue is completed in the form of written conversation. It is a contest between speculation and feeling. What wins in the end is feeling. Of course, speculation does not lose. When it admits that the feeling wins, it also wins.